{"id":381,"date":"2022-06-26T21:09:33","date_gmt":"2022-06-26T21:09:33","guid":{"rendered":"https:\/\/farangis.de\/edition\/?page_id=381"},"modified":"2024-01-03T23:22:38","modified_gmt":"2024-01-03T23:22:38","slug":"overview","status":"publish","type":"page","link":"https:\/\/farangis.de\/edition\/overview\/","title":{"rendered":"Overview"},"content":{"rendered":"<p><strong>Keine Kunst, sondern Bildsprache \/ <span style=\"color: #ff0000;\">No Art but Visual Language<\/span><\/strong><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-383\" src=\"https:\/\/farangis.de\/edition\/wp-content\/uploads\/2022\/06\/farangis_g_yegane_for_example_mithras_1.jpg\" alt=\"\" width=\"1207\" height=\"1831\" srcset=\"https:\/\/farangis.de\/edition\/wp-content\/uploads\/2022\/06\/farangis_g_yegane_for_example_mithras_1.jpg 1207w, https:\/\/farangis.de\/edition\/wp-content\/uploads\/2022\/06\/farangis_g_yegane_for_example_mithras_1-198x300.jpg 198w, https:\/\/farangis.de\/edition\/wp-content\/uploads\/2022\/06\/farangis_g_yegane_for_example_mithras_1-675x1024.jpg 675w, https:\/\/farangis.de\/edition\/wp-content\/uploads\/2022\/06\/farangis_g_yegane_for_example_mithras_1-768x1165.jpg 768w, https:\/\/farangis.de\/edition\/wp-content\/uploads\/2022\/06\/farangis_g_yegane_for_example_mithras_1-1013x1536.jpg 1013w\" sizes=\"(max-width: 1207px) 100vw, 1207px\" \/><\/p>\n<p><em>Farangis G. Yegane: The Primeval Bull, installation for her exhibition: For Example Mithras I, at the Kreuzgang of the Karmeliterkloster in Frankfurt am Main 1994.<\/em><\/p>\n<p>Entrance to our old main page &gt; <a href=\"https:\/\/farangis.de\/\">https:\/\/farangis.de\/<\/a><\/p>\n<p>Newest section:<\/p>\n<p>Lehnmythologeme &gt; im philosophischen Anthropoz\u00e4n \/ in the philosophical anthropocene &gt; <a href=\"https:\/\/farangis.de\/neumithraeum\/\">https:\/\/farangis.de\/neumithraeum\/<\/a><\/p>\n<hr \/>\n<p><strong>Neu: PDF-Reader \/ <span style=\"color: #ff0000;\">New: PDF-Readers<\/span><\/strong><\/p>\n<p><strong>Philozoe<\/strong> (ISSN 2702-816X). Ein E-Bl\u00e4tterwald \u00fcber Bildschaffung, Mythologien und Subjektsein<\/p>\n<p><span style=\"color: #ff0000;\">English edition:\u00a0<\/span><span style=\"color: #ff0000;\"><strong>Philozoe<\/strong> (ISSN 2702-8178). An e-journal on image creation, mythologies and experiencing subjectivity<\/span><\/p>\n<p><a href=\"https:\/\/simorgh.de\/about\/philozoe-reader\/\">https:\/\/simorgh.de\/about\/philozoe-reader\/<\/a><\/p>\n<hr \/>\n<p>Weitere Reader<\/p>\n<p>&gt; <a href=\"https:\/\/farangis.de\/edition\/reader\/\">https:\/\/farangis.de\/edition\/reader\/<\/a><\/p>\n<ol>\n<li><a href=\"https:\/\/farangis.de\/edition\/reader\/edition-farangis-animal-autonomy-e-reader\/\">https:\/\/farangis.de\/edition\/reader\/edition-farangis-animal-autonomy-e-reader\/<\/a><\/li>\n<li><a href=\"https:\/\/farangis.de\/edition\/reader\/e-reader-gruppe-messel\/\">https:\/\/farangis.de\/edition\/reader\/e-reader-gruppe-messel\/<\/a><\/li>\n<li><a href=\"https:\/\/farangis.de\/edition\/reader\/simorghi-journal\/\">https:\/\/farangis.de\/edition\/reader\/simorghi-journal\/<\/a><\/li>\n<li><a href=\"https:\/\/farangis.de\/edition\/reader\/tas\/\">https:\/\/farangis.de\/edition\/reader\/tas\/<\/a><\/li>\n<li><a href=\"https:\/\/farangis.de\/edition\/reader\/tierautonomie\/\">https:\/\/farangis.de\/edition\/reader\/tierautonomie\/<\/a><\/li>\n<\/ol>\n<hr \/>\n<p>Updated sections:<\/p>\n<ul>\n<li>For Example Mithras, Mithras in the Taunus, <a href=\"https:\/\/www.farangis.de\/mithras\/taunus\/\">https:\/\/www.farangis.de\/mithras\/taunus\/<\/a> (english)<\/li>\n<li>Punk als Suche nach weiblicher Autonomie \/ Punk as a search for Female Autonomy, <a href=\"https:\/\/farangis.de\/punk\/\">https:\/\/farangis.de\/punk\/<\/a> (english and german)<\/li>\n<li>Visual Opinions Workshop + the Animalistic Issue (english and german), <a href=\"https:\/\/www.farangis.de\/blog\/\">https:\/\/www.farangis.de\/blog\/<\/a><\/li>\n<li>Early works, <a href=\"https:\/\/www.farangis.de\/early\/\">https:\/\/www.farangis.de\/early\/<\/a> (english)<\/li>\n<li>Denk2Mal, <a href=\"https:\/\/www.farangis.de\/denk2mal\/\">https:\/\/www.farangis.de\/denk2mal\/<\/a> (german)<\/li>\n<\/ul>\n<hr \/>\n<p>Diese Sektionen sind gegenw\u00e4rtig noch nicht kompatibel mit dem Mobiltelefon \/ <span style=\"color: #3366ff;\">Sections that are not mobile-compatible yet<\/span><\/p>\n<p>z.B. Mithras \/ <span style=\"color: #3366ff;\">For Example Mithras<\/span><\/p>\n<ul>\n<li>Die Infragestellung des Gedankens des Schaffens von Leben aus dem Lebenszerst\u00f6renden anhand des Beispiels des r\u00f6mischen Mithraskultes \/\u00a0<span style=\"color: #3366ff;\">the questioning of the notion of creating life out of its destruction in the example of the Mithras cult<\/span>, <a href=\"https:\/\/farangis.de\/mithras\/\">https:\/\/farangis.de\/mithras\/<\/a><\/li>\n<li>Der (vorherige) persische Gott Mithras und seine Entwicklungsgeschichte, eine freie Interpretation \/ <span style=\"color: #3366ff;\">the previous persian god Mithras and his depelopment; a free interpretation<\/span>, <a href=\"https:\/\/farangis.de\/two\/mithras\/\">https:\/\/farangis.de\/two\/mithras\/<\/a>; siehe dazu auch \/\u00a0<span style=\"color: #3366ff;\">see also<\/span> <a href=\"https:\/\/farangis.de\/two\/mithras\/dieburg\/\">https:\/\/farangis.de\/two\/mithras\/dieburg\/<\/a><\/li>\n<\/ul>\n<p>Die Erinnyen \u2026 \/ <span style=\"color: #3366ff;\">The Erinyes<\/span><\/p>\n<p>\u2026 als ermahnende gegen Verst\u00f6\u00dfe gegen \u2018die kosmische Ordnung\u2019 (Naturzerst\u00f6rung) \/ &#8230; <span style=\"color: #3366ff;\">as warning against any harm of the &#8216;cosmic order&#8217; (environenntal destruction)<\/span>, \u00a0<a href=\"https:\/\/farangis.de\/erinnyen\/\">https:\/\/farangis.de\/erinnyen\/<\/a><\/p>\n<p>Die Gottheit Ma\u2019at \u2026 \/\u00a0<span style=\"color: #3366ff;\">The Godess Ma&#8217;at<\/span><\/p>\n<p>\u2026 als Prinzip der Balance und des Lebenssch\u00fctzenden \/\u00a0&#8230; as a principle of balance and life protection\u00a0<a href=\"https:\/\/farangis.de\/maat\/\">https:\/\/farangis.de\/maat\/<\/a>, \u201cIch habe den Menschen kein Unrecht zugef\u00fcgt. Ich habe kein Tier verletzt.\u201d \u2013 aus einer \u00dcbersetzung des betreffenden Papyrus nach Wallis Budge \/<span style=\"color: #3366ff;\">\u00a0&#8216;I did not harm any animal or human&#8217; &#8211; with a translation from the Papyrus by\u00a0Wallis Budge.<\/span><\/p>\n<p>Sohhak, Zahhak \u2026 \/ <span style=\"color: #3366ff;\">Sohhak, Zahhak<\/span><\/p>\n<p>\u2026 im Schahnameh als Ahriman, in der Gestalt des Koches verf\u00fchrt er den K\u00f6nig zum T\u00f6ten und Verzehren von Tieren \/ <span style=\"color: #3366ff;\">&#8230; in the Shahnameh as Ahriman, in the disguise of the cook, he lures the King to killing and eating nonhuman animals<\/span>,\u00a0<a href=\"https:\/\/farangis.de\/zahhak\/\">https:\/\/farangis.de\/zahhak\/<\/a><\/p>\n<p>Die Krone der Sch\u00f6pfung \/\u00a0<span style=\"color: #3366ff;\">The Crown of the Creation<\/span><\/p>\n<p><a href=\"https:\/\/farangis.de\/crownofthecreation\/\">https:\/\/farangis.de\/crownofthecreation\/<\/a>\u00a0\u2013 \u2018der Mensch ist die Dornenkrone der Sch\u00f6pfung\u2019 \u2013 Aphorismus von Stanislaw Jerzy Lec \/\u00a0<span style=\"color: #3366ff;\">&#8216;The human is the crown of thorns of the creation &#8211; aphorism by Stanislaw Jerzy Lec<\/span><\/p>\n<p>Das Gef\u00e4\u00df als Metapher \/ <span style=\"color: #3366ff;\">The Vessel as a Metaphor<\/span>, <a href=\"https:\/\/farangis.de\/vessels\/drawings\">https:\/\/farangis.de\/vessels\/drawings<\/a><\/p>\n<p>Von Katzen und M\u00e4usen, eine politische Fabel\u00a0\/ <span style=\"color: #3366ff;\">About Mice and Cat, a political fable<\/span>, <a href=\"https:\/\/farangis.de\/moosh-o-gorbeh\/\">https:\/\/farangis.de\/moosh-o-gorbeh\/<\/a><\/p>\n<p>Florae Obscurae (english), <a href=\"https:\/\/farangis.de\/floraeobscurae\/\">https:\/\/farangis.de\/floraeobscurae\/<\/a><\/p>\n<p><em>So far yet &#8230;<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"entry-summary\">\nKeine Kunst, sondern Bildsprache \/ No Art but Visual Language Farangis G. Yegane: The Primeval Bull, installation for her exhibition:&hellip;\n<\/div>\n<div class=\"link-more\"><a href=\"https:\/\/farangis.de\/edition\/overview\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &ldquo;Overview&rdquo;<\/span>&hellip;<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/farangis.de\/edition\/wp-json\/wp\/v2\/pages\/381"}],"collection":[{"href":"https:\/\/farangis.de\/edition\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/farangis.de\/edition\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/farangis.de\/edition\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/farangis.de\/edition\/wp-json\/wp\/v2\/comments?post=381"}],"version-history":[{"count":20,"href":"https:\/\/farangis.de\/edition\/wp-json\/wp\/v2\/pages\/381\/revisions"}],"predecessor-version":[{"id":572,"href":"https:\/\/farangis.de\/edition\/wp-json\/wp\/v2\/pages\/381\/revisions\/572"}],"wp:attachment":[{"href":"https:\/\/farangis.de\/edition\/wp-json\/wp\/v2\/media?parent=381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}